理论之“在”与影像研究

广播电视艺术学、电影学、传播学十六年之心血，七成曾已发表，不乏引致学界备受关注之力作。作者针对摄影、电影、广播、电视四种媒介，以技术与艺术之契合为起点，游巡历史时空，潜泳美学思海，聚凝人文神髓，勾勒影视思想史迹，探询传媒学术真谛。这些论文新见频现，运思绵密，材料丰赡，视野阔远。作者治学数载，只求真，不唯贤，不泥古。

摄影史论

刘半农的摄影艺术…………

摄影文学纵深拓展的美学之路 ……

早期学者视阈中的摄影艺术 ………………

影像公共性对精神归属感的颠覆抑或纪实摄影的焦虩与惶惑……

影视技艺

摇臂工具更理性 …………………

数字时代细说画幅 ……………………

试论主流影视后期软件转场特效的遴选标准与调用原则……………

电视剧

电视剧无须“连续”……………………

近五十年电视剧理论建设的阙失………………………

多长了个“长”——兼论全球传播时代电视剧的艺术圭臬…………………

Oppostion Resolution Finally to Entelechy in Pan-philogyny: Percipience and Contemplate in Chinese Contemporary Teleplay ……………

宗教题材影视剧敏感性探源……………………………

室内剧：传媒与话剧皮核游离的后现代虚无……………

纪录片

全球化时代中国纪录片的叙事策略………………………

动画片

渗沥在动画之“动”中的艺术精神………………

广播剧

生存罅隙中广播剧的游丝命脉与广播剧研究的世纪荒凉……………………

电视艺术哲学

我国第一代电视艺术理论之类型学辟析……………………………………………

对高鑫电视艺术美学的思裁与思绎……………………

“五俗”俱全的电视娱乐节目之精神病理学批判………………

“娱乐化”的“去伦理化”本质及忧思…………………………………

错视与幻视：电视与魔术的内在抵牾与天生龃龉………………………

电视史与电影史

The Art History of TV-Zongyi in China and Overlook to its Foreland…………………

一位“影视史学”教授抑或历史学与影视学交叉学者的十三个梦………………

The Compendious History of Chinese Televisio……

电视历史影像的历史本体意识悖论………………………………

有“花”就“花言巧语”吗——与郭镇之教授商榷……………………

电视文化批判

静静的河床…………………………………………………

电视文化精神雠治………………………………………

影视教育

关于高等院校影视培养范式及评估标准的思考……………………………

偌大中国为何没有电视剧学院………………………………………

少些“三本博士”………………………………………………

新媒体

中国网络电视的生存境遇与未来前瞻…………………

电影研究

传媒一体化遮蔽下中国电影的林中路……………………………

身体狂欢与肉欲审美：元伦理学视阈的情色电影………………………

电影对边缘性人格障碍症的抑治及电影治疗的独特价值……………………………

效果循环与视阈融合：六个版本“天涯歌女”的接受史发微……………………

从文化人类学看艺术进化与起源………………………………………………

自在于神学话语中的原始艺术…………………………………………

生态田野：渐进21世纪影视学的后文化人类学……………………………

学术史

理论之“在”与当代电视研究…………………………………………

传媒批评与电视学术民族主义………………………

发达的影评 贫瘠的思想…………………………………

影视的臭名与恶誉……………………………………………

传播思想史

显豁于传媒思想丛林的审美之径………………………………………

日常生活体认作为传播思想梳理的中立价值……………………………………

全球化惶惑与中西思想传播史的深重困窘…………………………………………

影视文学

金庸的平庸………………………………………………

大地隐喻中乖戾而张扬的身体叙事美…………………………………

二十世纪的“死魂灵”：现当代作家自杀之生命叩问与精神探询……………………………………

“底层叙事”在传媒权炎下的语艺分殊及文本间性……………………………………………

History of photography

The Photography Art in View of China’s Earlier Scholars………………………………………

The Aesthetic Approach to Deep-Development of Photoliterature…………………………………

Image’s Publicity Overthrow the Spirit peradventure or the Deeply Anxiety from Documentary Photography……………………………………

Documentary photography has immersed into a crisis deeply, whose essence’s contradiction is been beleaguering by so-called“Ideal photography”especially“Pure photography” as well as other contemporary image art, which is same to architecture is undergoing the intrinsic apprhension of danger and the extrinsic intimidation in centurial desolation from golbalization. Those images lost a sense of belonging to humanism, which roots in the vacancy of a sense to self-identity. The authors wish beauty and kindness return to the “Authentiziaet” that Martin Heidegger named, to instigate a spiritual breakout to rescue huanm’s soul, for seeking self-identity, for settling the room constructed by modernity poetically, during publicity constructed the unbodied bastion.

Technology of film & Television

The Rational Useness of Camera Jib as a Photography Tool……………………………………

Particularize the Ration of Length vs Width in Digital Time…………………………………………

The Criterion and Principle for Choosing Transition Effects in Typical Postproduction Softwares…………………………………………………

Teleplay

Telplay Need’t Continuous any more …………………………………………………………

The Weakness and Deficiency of Teleplay’s Theories in nearly 50 Years……………………………

The “Long” is Unwanted——The Artistic Essence of Teleplay in the time of Global Communication………………………………………………

Oppostion Resolution Finally to Entelechy in Pan-philogyny: Percipience and Contemplate in Chinese Contemporary Teleplay ………………

An Inquire the Root of Sensitivity from Film & TV-Play anent Religion in China…………………………

This article analyzes why the film & TV-play anent religion is so sensitive at the present time, in China. The exploration commences from some investigation, deep-interview and charts, and gives define when discriminating along with a case-study typically. It illustrates various formals of the sensitive, eventually to discover the intrinsic reasons wherein political hegemony, religion, law and media, to uncover the thesis unambiguously. The author even handles a few valuable suggestions how to operate such film &TV-Play in practice successfully, in today’s China.

Chamber Teleplay: Postmodern Nihility Roots in the Dissociation from Meida & Dram……………………

The object of this study is chamber teleplay,which is also called “TV-Scene comedy”. Thus teleplay a typical product that roots television in postmodern time, which is a triunity constituted by pictures, reality and ideology. The article analyzes the genre’s charactersric as well as fixed model of indoor teleplay, through jocosity elemnets,Verfremdungseffekt preestablishment and extension asto life territory of individual private, to observe cutural signification withal epistemological value. Furthermore, author inquires the derivative relation between it and contemporary cultural real-life in China, as an extrinsic or accessory text, to peek correlativities wherethrough it as to common-life aesthetics .

Documentary

The Narrative Tactic of Chinese Documentary in Globalization time ………………………………

Animation

The Artistic Spirit Rooted in “Anima” of Animation-art………………………………………………………

The “anima” of animation-art, firstly is embodied as continuity of drawings, but it is thoroughly different from the image-motility of movie and TV, which roots in the anti-photography from the drawings of animation-art. Based on it, although both of Chinese and western animation-art narrative even construct depending on subjectivity of action, their ultimate “anima” of life still have dissimilarities, just because their different philosophical origin and aesthetic thought. This paper aims at to distinct the aesthetic implication of “anima” in the three ambits, which are some originated penetrating views to animation theories.

Broadcasting play

Broadcasting Play is Near to Absolutely Annihilation and it’s Study is Insufficient Reasonably as if in Doomsday…

Why radio broadcasting can be seen as a kind of art just is the broadcasting play exists and develop too much. Modern media and amalgamation of communication have oppressed the broadcasting play deeply and unrelentingly, to drop into abyss of living as if hanging by a thread. The market hasn’t still grown up and institution hasn’t become a rudiment of industry, both of which restrict it enter into a renaissance strongly. In desert of thought, in journey of mind, “Broadcasting art” lost itself, to be missed by academic circle. To retrospect to the essential reason just is that those practitioners of broadcasting play never think it as the ultimate spirit home in deep heart.

Philosophy of Television-Art

A Taxonomy Analysis to the 1 Era TV-art Theory in China …………………………………………………………………………………………

The TV-Art study of China starts 1970s, who study it actively from that time to now seceding just is the 1 era and includes two chief school: The art school and the literature school. This paper hackles genesis, essential, system, gain and loss of the two school from TV-Art Taxonomy, to deeply demonstrate their respective logical track and theory paradigm, based on which, to define the contains of the Zongyi, to reconstruct the subjective status of TV-Play.

A Concise Study about the Gaoxin’s Aesthetic Orientation of TV-Art…………………

Psychiatric Criticism to Overly Vulgar Pastime-show in Television……………………

Almost all of pastime-show in television has degenerated to completely even overly vulgar, from 1990s to today, just because the strong brunt that was derived from China’s modern society slip the leash form traditional politics and ideology, just like what 5 adjectives suffixed with “su” inChinese. Thus overly vulgar programs wrecked juvenile’s spirit even body, sicken them enmeshed by various of psychoses, particularly arouse their sex into aberrance both in psychology and in deed. Via analyisis, producers of such TV’s trash often cheat, fool, deceive, sneer and satirize audiences, which shows their stubborn view of communicator-orientated, therefore to force judicial appraisal and clinical diagnose must be cautious extraordinarily. The thought to make TV-show with 5-“su” always hesitates between localization of comprehension and infinity of illumination, in fact, which is an Einzelsyptom,i.e.a single abnormal psychiatric symptom, expects the diagnoseschema based on art-humanism roots in analytical philosophy.

A Contemplation Anxiously to the Deethicilization from Media’s Entertainlization …………………………………………………………………

China’s media has been changing into commercelization and merchandisilaization gradually, eventullay to fluctuate a wave of “Entertainlization”, which was promoted by market-oriented economy, from 1990s hitherto. Scholars view it variously and multifarously, altrenating between affirmation and negation, wandering praise and criticism.Unquestionably, “Media’s Entertainlization” betrays moral responsibilities and ethical criterion, which is an irrefragable fact, and academa has to contemplate the essence of “deethicilization” roots in it, furthermore to worry about the embarrassment and trepidation when media is been alienated with basic theme of ethic. Since, media ethic and humanism solicitude not only relates to construction with consummation in itself but also affects Chinese social moral environment in macrocosm, not to underestimate.

Visual Illusion and Visual Hallucination: Magic Conflicts to Television Congenitally and Intrinsically……………………………………………

Human eye have some congenital weaknesses in biological structure, meanwhile nerve center often afterdischarge via which visual bring to illusion or hallucination. Thus, our brain will form cognitive misjudgement during change blindness withal unattentional blindness, based on which magic can exist and can develop. Television’s image must communicated information via light’s motion as well as shadow’s moving et al, hence a great deal of varied glittery lamps and heavy complicated designs on stage in TV-Studio will promote visual illusion with visual hallucination to appear largely and heavily. Audiences hate magic broadcasted by television with deeply antipathy. The magic’s fake will become too much fake after it encounter Television and its’ aesthetic value will be decreased badly. Not only Television is unmatched with magic but also magic is disharmonious with Television because both are heterogeneous congenitally, wherefore both of which should separate each other for developing independently.

History of Television and History of Film

The Art History of TV-Zongyi in China and Overlook to its Foreland………………………………

13 Dreams in a Professor’s Brain Who Study on Historiophoty or History and Film with Television……………

The Compendious History of Chinese Television：a Viewsight of Ideology…………………

The Historical Noumenon Contradiction of TV-Historimage……………………………………………

The academe has not paid some attention to the historical noumenon of TV-Historimage that includes historical TV-Play and historical culture TV-Documentary, which roots an unfamiliarization that history effect is basically different from image narration towards history effect. The discrepancy sprouts the two dissimilar historical philosophy systems, whose ontological divarication must lead to methodological plurolism, finally to from an inarguable lingual contradiction. The theoretic innovation should follow here to exploit more wide and open academic space, moreover to deeply sweep language textile to be reoverlaid by traditional ideas, and to inquire the ultimate solicitude to TV-Historimage.

Is it “Smooth-tongued” according to the “Flower” in Chinese——Discuss to Prof.Guozhenzhi of Tsinghua University ……………

Criticize to Culture of Television

Diagnosis and Treatment to the Spirit of Television’s Culture…………

Education of Film&Television

Deep Ponder to the Invetera Disadvantages and Perennial Deficiencies from China’s Higher Education on Film &TV ………

Unique or Ecumenical: Ponder and Study to Essence of Art-education based on Ephemeral Beijing Art Academy…………………………

New Media

China’s Internet-television: the Subsistence Situation and Future Perspective………………………………………

Internet-television is a newborn thing, but it is devolping much rapidly. This study introduces 4 ways how to connect Internet-television, whose preponderance and technological nodus calmly. Compared with television, the advantage of Internet-television is content not channel, which indicates it consider audiences is the most important as well as content is the most pivotal, though how to profit is still unsucessfully at present. Refer to advanced international experiences, China’s government should outburst technological vallation, realize TV, telecom and internet to combine to one network, supervise it effectively, to support and help Internet-television growing healthily.

Study of Film

Die Lichtung to Chinese film shield by Media integration……………………………………………………………

Media integration is a inevitable trendy to develop media intensively in post-industry society, also is a outcome roots globalization. Nevertheless, it still doesn’t evoke enthusiasm and initiative form Chinese film that was enslaved by planned economy long-term, which fashions a unique type in contemporary world film. This paper analyzes representatively and inquires historically some typical media in USA, discovers the inherent interrelation between media integration and vast profit, and ponders the heavy and extensive dilemma, standing on ideological highness to alert Chinese film to thoroughly mould itself.

Bodily Carnival and Sensual Aesthetics: Pornography Movie in View of Meta-ethics………………

Pornography movie is a ubiquitous art, and typically, demonstrates an immutable contradiction between sex and moral, which roots in deeply narcissism from human, towards their body of self, from origin hitherto. Notwithstanding, there is an question that not all sex even to coitus are aesthetic, de facto, only rational and abstemious ones of which can embodies some aesthetic value. The sex even and sexual intercourse must fit human criterion and ethic measures. But, it is pity that sensual lust often defeated mortal rational mind, to discover evil of human nature, eventually to exposure the “Unbearbeitet übelgesinnt”, such as unruliness, laziness and jealousness, which are latent in depth of humanity. It obliged to make every modern people wide-awake.

Film can Restrain even to Cure BPD as well as the Particular Value of Film Therapy……………………

Art therapy is a unique and supernatural psychotherapy method, whose effect for metal patients shows very particular and obvious. Film therapy is one new approach of art therapy as well as a new medical thought. Clinical practice indicates that it is be beneficial to some type of metal sufferers especilly BPD by playing some special elected films to them in a closed private room. Those patients’ nerve and consciousness often are irrigated fully, whose painful memories can be recalled and soul can be pacified, by which their spirit will peaceful even to crue illness. Film therapy is a intercross and amalgamation between physic and film study, also which is a foreland to both humanities science and natural science, with a hprful and prospective future.

Wirkungsgeschichte and Fusion of Horizon: a Particularization to six versions of “Tianya Songstress”……

“Tianya Songstress” has six versions so far, which formed a complicated continuation and recomposition. 1927 version was the earliest, which wrote, directed and performed by Ouyangyuqian but didn’t success, only the idea of episode with the story’s outline were been approbated. 1937 version isn’t a film but an episode created by Tianhan for a film named “Street Angle ” , however which was quite successful just because it embodied the signed withal metaphor to “Tianya Songstress”. 1940 version breached the aesthetic expectation from mass audiences so that it was self-defeating, though it was acted by Zhouxuan. Hereafter, Zhouxuan’s tragic life enriched the intertextuality and worldity to the symbol. 1989 version failed again for Chensongling’s immature action, therefore “Tianya Songstress” was been thought a very dangerous and difficult topic, whose narrative paradigm became a canon. 1995 version was the most successful in that it satisfied the mass’ psychological prejudication, thus it ascended to a film motif. 2008 version focused on how Zhouxuan grew a superstar as well as cater for a great deal of fans by vulgarity and philistinism, eventually which lost its’ social criticism. Six versions of “Tianya Songstress” shape a wirkungsgeschichte and fusion of horizon between author and reader, film and mass, art and world, which lead to the code symbolization and canonization via a series of binary interactualities.

Visual Anthropology

Evolution and Origin of Art in view of Culture Anthropogy…………………………………………

Ecologicalfield: Post-culturanthropology is Approaching to the Study on Film & Television……………………Post-culturanthropology inherits the basic system of anthropology, whereas it is a mutation undergoing globalization much more, whose typical thoughtarbor is ecologicalfield. It will promote the center and value of the study on film &TV in China to transform doubly, reshape the theory proprieties of outer-academism synchronously, and clean out both occidententrism shadow and aristocratic arrogance shadow. Based on which, the ecologicalfield is bound to have DV-folk film &TV canonization, to build and protect multi-spirit environment of the two arts ultimately.

Agriology Art that “Sein” in the theological lingual Intertextuality…………………………………………

Academic History

The “Sein” of Theory and Television Study in Contemporary China ……

The Criticism towards Media and Academic Nationalism in TV Study…

The papers reviews and analyzes our TV-Study from the global media integration as well as the psychoanalytic-history of Chinese modern humanity academic, based on this two purviews to dowse and seek their source, to deeply exposure and meditate the academic nationalism with malpractices of it, which is latent in thought depth of TV-Scholars. Therefore, the author sponsors to absorb and cumululate both Chinese and western schools, and perseveres in a multi-ontology and a homo-source in TV-Study even in criticism towards media.

History of Communication Thought

An Aesthetic Route Emerges from the Jungle of Media Thoughts……………………………

This article discusses a specialized aesthetic route which relations with media thought potentially. The approach in this paper is an act of interpretation that needs avoid to making any value judgment or positivistic conclusion, not only constructing textually but also intertextually on communication. This path indicated by me stresses the social historic elements of media text, which induces the route to an order of society withal history. As I pay highly attention to the approach, it doesn’t provide a definite tempral answer to kinds of media problems and ideas, but try to lead to various of thought represupposes and μνθικό of sign that hide in dismetaphysical depth of express, especially those ontology, epistemology and logos that root in their philosophy basis. This article wants to students of communication study to indentify much latent backgroudings, eventually to pilgrimage discursive hegemony of media study.

To Recognize common life as a adiaphorous value for combing media thought ………

This article indicates to recognize common life is important to combing media thoughts at most, which relations with media thought potentially. The approach in this paper is an act of interpretation that needs avoid to making any value judgment or positivistic conclusion, not only constructing textually but also intertextually on communication. This path indicated by me stresses the social historic elements of media text, which induces the route to an order of society withal history. As I pay highly attention to the approach, it doesn’t provide a definite tempral answer to kinds of media problems and ideas, but try to lead to various of thought represupposes and μνθικό of sign that hide in dismetaphysical depth of express, especially those ontology, epistemology and logos that root in their philosophy basis. This article wants to students of communication study to indentify much latent backgroudings, eventually to pilgrimage discursive hegemony of media study.

Anxiety to Globalization and Dilemma to Communication on China’s Thoughts with Occident………

European orthodox history inherited and persevered in Occidentcentrilism while Chinese ancient philosophy still was complacent and conservative, thereby which a dualistic antinomy was born on. When the binary methodology occurred to Marxism, it reached the zenith, apparently, which is a grievous restriction and severe hindrance. The corn ideas of modern history compelled nation, race and ethnicity that were analytic criterion in foretime lost their dominant value, eventually into noncenterilization. On the other hand, culture study is blooming, bifurcated history is booming, then really sagacious scholars will not only unlikely indulge to view either Orient or Occident as credendum but also reconstruct a multi-centerilism with magnanimity academically.

Literature of Film& Television

The Unique and Exaggerated Beauty on Bodied Narration in Metaphor of “Grand Field” ……………

Died Soul in the 20 Century: Inquire and Ponder to Suicidal Writers in Contemporary Literature History………

The study focus to suicide, along with the thoughts from ethnics, psychology, sociology, biology and religion theory. It chooses Zhuxiang, Jingyinyu, Xuchi, Wangguowei, Haizi, Gucheng and Ryunosuke Akutagawa, 7 suicidal writers especially poet in the 20 century, as a mutual constitutive example, to retrospect their painful life and confused heart, to analyze abnormal characteristics and self-destructed idiosyncrasies, eventually achieving to inquire and ponder whose soul ‘s ethos that either died but live or live after died.

Fractionary Rhetoric, Inter-textuality and Social-understratum Narrative Oppressed by Media’s Hegemony…

Social-understratum Narrative, is an important phenomenon recent years , but its inquire-paradigm is different in novel, film and TV-Art. Such novels have a intensified evil deliberately to delineate that peasant who enter into cities for living still keep a hostile even to destroy modernization, via which to pour the tortuose soul from understratum life, oppressed by the dualistic opposite between city and village. In fact, the idea of novel has been lost and mistaken. Such rural images near to common individuals living in understratum both in view, narrative and produce cost, although their superficial and onlooking attitude still can’t cover those films are yet for entertainment, not for care for social-understratum. Therefore, television that hold dialogue hegemony, not only embody the ordinarily civil essence and idiosyncrasy but also tread down novel and film strongly in rhetoric style. As result, they have to show an anamorphic and peculiar configuration, whose text cry and groan under a marginal aperture. Unquestionably, television should life the banner of social-understratum narrative, to construct humanity measures and ethic characteristics for it.

Image and Architecture

Image’s Combat between National Idiosyncrasies and Empire’s Penuma:

a Transcultural Study on Das Cabinet des Dr. Caligari andDamingong……

Both Daminggong that is so-called a large scenario documentary film andLegend of Damingong that is so-called a large historial culturial documentary television don’t grasp the gist of Tang-culture especially Tang-complex, therefore which can’t circumstantiate the soul of Chinese traditional culture as well as the idiosyncrasies of Huaxia nation. Comparatively, both Das Cabinet des Dr. Caligari and Der Golem was samll-cost film in 1920s, made by German, however which visualized the Gothic spirit that roots in Geman intrinsically. The two films’ aesthetic tendency oriented to Bauhuasism exceed evidently the Great-narrative represented by series of Daminggong. The essence of film or architecture is to succeed context and to communicate culture. On the understanding that someone only seek commercial profit after deviating historical background with cultural continuum, any art will be devastated to die for losing penuma.

Essay

Jinyong as a mediocrity……………………………

The Notoriety of Commercial Film and the Disrepute of Recreational Television………………………

Quiet and Tranquil Riverbed………………………………………………………………

Developed Film or Teleplay Review don’t Cover Poor Thought…………………………………

It should be less inferior Doctors —— Why I have never want to gain a Doctor Degree from CUC………………

这本专著凝聚了我自1994年接触影视以来至今十六年间的思索所得，七成均已发表。

十六年韶华逝消，十六载岁月蹉跎，从当初对影视的狂热逐渐走向冷静，从懵懂的外行成熟为资深的专家，其间，凝聚着多少失败与伤痛，挥洒过多少泪水与辛酸，当然，也有成功的喜悦与欣慰。

我不是一个闭门造车的“两脚书橱”，为了尝试影视剧的导演与制片，我曾与同学闯遍大江南北，拍摄长纪录片《中国纪录片》，还远赴日本横滨采访；我曾费劲周折，四处奔波，独立融资近50万元拍摄了六集电视剧《天缺一角》。实践出真知，汇集于此的论文，反复检验着这样一个真理。没有扎实的技术基础和实际经验，没有广博的涉猎和深厚的理论，没有对中国传统文化和西方哲学史尤其现象学的钟爱，何来这泱泱42万字的灼见与察悟？

衷心感谢北京广播学院、中国传媒大学！在这所非凡的大学里，我学到了诸多知识，更学会了做人处世。

衷心感谢多年来一直不断教诲我的恩师李兴国先生，感谢我的硕士导师刘晔原教授，感谢硕士研究生期间曾在学术上给予我帮助的曾庆瑞、张凤铸、高鑫、周华斌、胡智锋、龙耘、周月亮、宋家玲、吴辉、倪学礼、李胜利、苗棣等师长，感谢本科期间指导我进步的王纪言、钟大年、任金洲、何苏六、郝俊兰、高廷智、朱光烈等老师。我不厌其烦地罗列诸师，旨在表明此集并非对其观点之复述，恰恰相反，我正是从否定他们起步而超之越之的，正所谓“沉舟侧畔千帆过，病树前头万木春”。

感谢中国国家图书馆及其外借部王宝兴先生，我常年涵泳于兹，汲取良多。

感谢北京联合大学应用文理学院、平谷学院，感谢首都师范大学科德学院以及李宝山董事长、王万良校长、董小国院长。

感谢美国学者Ron Hebert、Ashley Esarey、Ally Rosein，与他们的交流，令我视野开阔。

感谢西安建筑科技大学，我从这里开始了新的征程，攻读建筑学博士学位，深思建筑与影像的互文性。这里的刘克成、胡武功、杨豪中、佟裕哲等前辈，正在引领我创造新的辉煌。感谢我的博士学友郝占鹏先生对此著出版的关注与鼓励。

感谢陕西出版集团旗下的三秦出版社，尤其是高峰副编审的真诚与细致，值得首肯。

衷心感谢我的妻子张苹女士多年来对我的关爱与支持！